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Art was considered to be highly important in this cause and political artists were using journals and newspapers to communicate their ideas through illustration. [18] El Machete (1924–29) was a popular communist journal that used woodcut prints. [18] The woodcut art served well because it was a popular style that many could understand.
Example of a 16th-century woodcut, Dürer's Rhinoceros, by Albrecht Dürer, 1515. In 15th- and 16th-century Europe, woodcuts were a common technique in printmaking and printing, yet their use as an artistic medium began to decline in the 17th century. They were still made for basic printing press work such as newspapers or almanacs.
The most commonly used graphic methods were woodcut, lithography, etching and silkscreen printing, and new techniques such as color aquatint were developed. [2] The offset printing also emerged, which revolutionized graphic art. Offset is a process similar to lithography, consisting of applying an ink on a metal plate, usually aluminum.
Mixed-media prints may use multiple traditional printmaking processes such as etching, woodcut, letterpress, silkscreen, or even monoprinting in the creation of the print. They may also incorporate elements of chine colle, collage, or painted areas, and may be unique, i.e. one-off, non-editioned, prints.
The "Provincetown Print", a white-line woodcut print, was attributed to this group. Rather than creating separate woodblocks for each color, one block was made and painted. Small groves between the elements of the design created the white line. [3] Because the artists often used soft colors, they sometimes have the appearance of a watercolor ...
For example, if stored in paper folders, the prints can become acidic. Using acid-free storage materials can prevent these acidic processes. Storage materials such as folders or boxes can also prevent light from reaching the print, and further reduce damage to light-sensitive materials.
Gustave Baumann (June 27, 1881 – October 8, 1971) was an American printmaker and painter, and one of the leading figures of the color woodcut revival in America. [1] His works have been shown at the New York Metropolitan Museum of Art, The Cleveland Museum of Art, the National Gallery of Art in Washington DC, and the New Mexico Museum of Art. [2]
His printmaking is inspired by Japanese woodblock printing but it is different in technique, because he uses oil-based inks, linoleum block and a printing press. [ 10 ] Killion was featured on the PBS television series Craft in America , episode "Process" airing October 7, 2009, also featuring 92nd Street Y , Kansas City Art Institute , North ...