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Quest is an esoteric quarterly magazine [1] containing material on magic, witchcraft, and practical occultism, along with personal experiences and reviews. [2] [3] It has been edited since its inception in 1970 by the author Marian Green, [4] who also organises an associated annual Quest Conference.
Marian Green (born 1944) is a British author who has published about magic, witchcraft and the "Western Mysteries" since the early 1960s. [1]She founded and continues to organise the Quest Conference held every year in the UK [2] and has edited the magazine Quest [3] [4] since founding it in 1970.
Rosaleen Miriam Norton (2 October 1917 – 5 December 1979), [1] who used the name of "Thorn", was an Australian artist and occultist, in the latter capacity adhering to a form of pantheistic / Neopagan Witchcraft largely devoted to the Greek god Pan.
Their subject was the doctrine and practice of a tradition of sorcery which he called 'Sabbatic Craft', a term which, according to Chumbley, "describes the way in which elements of witch-lore, Sabbath mythology and imagery were being employed in the cunning-craft tradition into which I was originally inducted". [3]
The Cauldron was a non-profit, independent, esoteric magazine featuring in-depth articles on traditional witchcraft, Wicca, ancient and modern Paganism, magic, and folklore. It was published quarterly in the UK in February, May, August, and November between 1976 and 2015.
Magic, Ritual, and Witchcraft is a peer-reviewed academic journal that focuses on magic scholarship. It is published triannually (spring, summer, winter) by the University of Pennsylvania Press. [1] The founding editors were Michael Bailey (Iowa State University) and Brian Copenhaver . [2]
In The Encyclopedia of Witches, Witchcraft and Wicca, Rosemary Ellen Guiley described it as the "world's largest collection of paraphernalia and artifacts related to folk magic, witchcraft, Wicca and ritual magic". [16] The museum functions as an information resource centre for media and the public. [8]
The pamphlet contains virtually the only contemporary illustrations of Scottish witchcraft [2] and was the earliest Scottish or English printed document dedicated to only covering witchcraft in Scotland. [5] It provided the first descriptions of the osculum infame, also known as the kiss of shame or the obscene kiss, to the English population. [6]