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The chorus "Vive la rose et le lilas" means "Long live the rose and the lilac." Vive la rose was Émile Benoît 's last recording. [ 1 ] It was interpreted by several other musicians; one such interpretation was referred to as "une vieille chanson française interprétée par la suite par Guy Béart pour les enfants". [ 2 ]
"La belle Paris", music by A. Baldwin Sloane, John Stromberg and W.T. Francis, lyrics by Edgar Smith "La belle Parisienne" from the musical The Belle of New York "La belle Parisienne, music by Louis Hirsch, lyrics by Edward Madden "La Chanson des fortifs" by Fréhel "La Cigale" by Harry Cooper "La Complainte de la Seine" by Lys Gauty
L'Ensemble Claude-Gervaise chante l'amour et la guerre (1977) Jouissance vous donneray (1981) La Rencontre (1982) Géographie sonore du monde de la mer (c. 1984) Initiation à la musique (c. 1985) Musique au temps de Léonard de Vinci (1987) Noëls de la Renaissance (1988) Noëls des temps anciens (c. 1994) Musique au temps de Jacques Cartier ...
"Au Nom de la rose" is a 1999 song recorded by French singer Moos. The song was released on 13 April 1999 as the second single from his sole album Le Crabe est érotique . It became a smash hit in France and Belgium (Wallonia) where it remained for several months atop of the singles chart.
"L'important c'est la rose" is a song written by Louis Amade and Gilbert Bécaud. Gilbert Bécaud recorded a version, which was released in 1967. Other recordings
Louis Charles Augustin Georges Trenet (French pronunciation: [lwi ʃaʁl oɡystɛ̃ ʒɔʁʒ tʁenɛ]; 18 May 1913 – 19 February 2001) [1] was a renowned French singer-songwriter who composed both the music and the lyrics for nearly 1,000 songs over a career that lasted more than 60 years.
Original edition of Satie's score for the Sonneries de la Rose + Croix (1892). Trois sonneries de la Rose+Croix ("Three Sonneries of the Rose+Cross") is a piano composition by Erik Satie, first published in 1892, while he was composer and chapel-master of the Rosicrucian " Ordre de la Rose-Croix Catholique, du Temple et du Graal", led by Sâr Joséphin Péladan.
Gnawa singer in Salé, Morocco. Gnawa music (Ar. ڭْناوة or كْناوة) is a body of Moroccan religious songs and rhythms. [1] [2] Emerging in the 16th and 17th centuries, Gnawa music developed through the cultural fusion of West Africans brought to Morocco, notably the Hausa, Fulani, and Bambara peoples, whose presence and heritage are reflected in the songs and rituals.