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"Dreaming" is a song by English electronic band Orchestral Manoeuvres in the Dark initially released in January 1988 as a single from their compilation album The Best of OMD. It was a hit in the United States, reaching number 16 on the Billboard Hot 100 , number 17 on the Cash Box Top 100 and number six on the Dance chart.
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Upon its release, Gina Morris of NME described "Dream of Me" as "a simple song in three parts; an upfront drum machine, 'spooky' echoed vocals and sick sentiment". She added that one of the CD single's additional tracks, a live version of "Enola Gay", serves "to remind us why [OMD] exist at all. Just." [2] Larry Flick, writing for the US magazine Billboard, praised it as "a sparkling pop ...
Dream chord on G Play ⓘ.. The dream chord is a chord that is used prominently in the works of La Monte Young.It is made up of the pitches G-C-C♯-D. [2] [3] The chord is prominently featured in Young's compositions for Brass (1957), Trio for Strings (1958), and The Four Dreams of China (1962).
"Dreaming" is a song by American new wave band Blondie. Released in 1979, the song was the opening track from their fourth album, Eat to the Beat. [3] Written by guitarist Chris Stein and singer Debbie Harry and partially inspired by ABBA's "Dancing Queen," the song also features an active drum performance by drummer Clem Burke, who did not expect the final recording to feature his busy drum ...
"Day Dreaming" is a soul single by American singer Aretha Franklin. Released from her album Young, Gifted and Black, it spent two weeks at the top of the Hot Soul Singles chart in April 1972 and peaked at number five on the Billboard Hot 100 and number 11 on the Easy Listening singles chart. [2] Billboard ranked it as the No. 61 song for 1972. [3]
1. The Dream: Random Sex with a Stranger. So your promiscuous side came out to play with a total stranger while you were sound asleep and you’re wondering what this risky business was all about.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...