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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
A distinct meaning of alter ego is found in the literary analysis used when referring to fictional literature and other narrative forms, describing a key character in a story who is perceived to be intentionally representative of the work's author (or creator), by oblique similarities, in terms of psychology, behavior speech, or thoughts, often ...
Synecdoche is a rhetorical trope and a kind of metonymy—a figure of speech using a term to denote one thing to refer to a related thing. [9] [10]Synecdoche (and thus metonymy) is distinct from metaphor, [11] although in the past, it was considered a sub-species of metaphor, intending metaphor as a type of conceptual substitution (as Quintilian does in Institutio oratoria Book VIII).
I Am Joaquin (also known as Yo soy Joaquin), by Rodolfo "Corky" Gonzales and translated by Juanita Dominguez, is a famous epic poem associated with the Chicano movement of the 1960s in the United States.
The politics-administration dichotomy is a theory that constructs the boundaries of public administration and asserts the normative relationship between elected officials and administrators in a democratic society. [1] The phrase politics-administration dichotomy was first found in public administration literature from the 1940s. [2]
A 19th-century precursor of modern public choice theory was the work of Swedish economist Knut Wicksell, [10] which treated government as political exchange, a quid pro quo, in formulating a benefit principle linking taxes and expenditures. [11]
The state system, which grew out of the social contract, was, however, also anarchic (without leadership). Just as the individuals in the state of nature had been sovereigns and thus guided by self-interest and the absence of rights, so states now acted in their self-interest in competition with each other.
Self-insertion is a literary device in which the author writes themselves into the story under the guise of, or from the perspective of, a fictional character. [1] The character, overtly or otherwise, behaves like, has the personality of, and may even be described as physically resembling the author of the work.