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A foil is an architectural device based on a symmetrical rendering of leaf shapes, defined by overlapping circles of the same diameter that produce a series of cusps to make a lobe. Typically, the number of cusps can be three ( trefoil ), four ( quatrefoil ), five (cinquefoil [ 1 ] ), or a larger number (multifoil). [ 2 ]
It is found in art, architecture, heraldry and traditional Christian symbolism. [2] The word 'quatrefoil' means "four leaves", from the Latin quattuor , "four", plus folium , "leaf"; [ 3 ] the term refers specifically to a four-leafed clover , but applies in general to four-lobed shapes in various contexts.
Multifoil arch in the Aljafería, Zaragoza, Spain. A multifoil arch (or polyfoil arch), also known as a cusped arch, [1] [2] polylobed arch, [3] [4] or scalloped arch, [5] is an arch characterized by multiple circular arcs or leaf shapes (called foils, lobes, or cusps) that are cut into its interior profile or intrados.
A good design contains elements that lead the reader through each element in order of its significance. The type and images should be expressed starting from most important to the least important. Dominance is created by contrasting size, positioning, color, style, or shape.
Came glasswork is the process of joining cut pieces of art glass through the use of came strips or foil into picturesque designs in a framework of soldered metal. Final products include a wide range of glasswork, including stained glass and lead light pieces. Came is made of different metals, such as lead, zinc, brass and copper. The metal came ...
Architectural painting (also Architecture painting) is a form of genre painting where the predominant focus lies on architecture, including both outdoor and interior views. While architecture was present in many of the earliest paintings and illuminations, it was mainly used as background or to provide rhythm to a painting.
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]
According to neoplastic principles, [27] [28] every work of art (painting, sculpture, building, piece of music, book, etc.,) is created intentionally. It is the product of a series of aesthetic choices and, to a lesser extent, of what the work of art represents.