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Farm landscape, in this case a rapeseed field in France. Landscape photography commonly involves daylight photography of natural features of land, sky and waters, at a distance—though some landscapes may involve subjects in a scenic setting nearby, even close-up, and sometimes at night.
Landscape archaeology or landscape history is the study of the way in which humanity has changed the physical appearance of the environment - both present and past. Landscape generally refers to both natural environments and environments constructed by human beings. [31]
Scenic viewpoints may be created alongside scenic routes or mountain roads, often as simple turnouts or lay-bys where motorists can pull over onto pavement, gravel, or grass on the right-of-way. Many viewpoints are larger, having parking areas, while some (typically on larger highways) are off the road completely.
In order to landscape it, the land must be reshaped to direct water for appropriate drainage. This reshaping of land is called grading . [ 4 ] Sometimes in large landscaping projects for example, parks, sports fields and reserves soil may need to be improved by adding nutrients for growth of plants or turf, this process is called soil amelioration.
Within his definition, the physical environment retains a central significance, as the medium with and through which human cultures act. [9] His classic definition of a 'cultural landscape' reads as follows: [7] "The cultural landscape is fashioned from a natural landscape by a cultural group. Culture is the agent, the natural area is the ...
The scenic area of Guilin is a general term used to describe tourism resources within Guilin, including numerous attractions. Guilin's landscape has long been renowned for its "green hills, clear water, fantastic caves and beautiful mountains".
Matters are complicated by the fact that the words nature and natural have more than one meaning. On the one hand there is the main dictionary meaning for nature: "The phenomena of the physical world collectively, including plants, animals, the landscape, and other features and products of the earth, as opposed to humans or human creations."
A garden that borrows scenery is viewed from a building and designed as a composition with four design essentials: 1) The garden should be within the premises of the building; 2) Shakkei requires the presence of an object to be captured alive as borrowed scenery, i.e. a view on a distant mountain for example; 3) The designer edits the view to reveal only the features they wish to show; and 4 ...