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1400: Bernardo Martorell – Spanish painter, working in a late gothic style (died 1452) 1400: Luca della Robbia – Italian sculptor from Florence, noted for his terracotta roundels (died 1482) 1400: Filarete – Florentine Renaissance architect, sculptor and architectural theorist (died 1469)
The earliest is the Heilspiegel Altarpiece of about 1435, which today is mostly in the Kunstmuseum, Basel, and with isolated panels in other collections. The next is the Altarpiece of the Virgin (c. 1440), which has been associated with panels now in Basel, Nuremberg, and Strasbourg ( Saint Madeleine and Saint Catherine , Musée de l'Œuvre ...
It is a 24-hour [1] non-commercial satellite channel broadcasting a mix of various classic arts including animation, architectural art, ballet, chamber, choral music, dance, folk art, museum art, musical theatre, opera, orchestral, recital, solo instrumental, solo vocal, and theatrical play, as well as classic film and archival documentaries.
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
The Italian polymath Leonardo da Vinci (1452–1519) was the founding figure of the High Renaissance, and exhibited enormous influence on subsequent artists.Only around eight major works—The Adoration of the Magi, Saint Jerome in the Wilderness, the Louvre Virgin of the Rocks, The Last Supper, the ceiling of the Sala delle Asse, The Virgin and Child with Saint Anne and Saint John the Baptist ...
Quattrocento art shed the decorative mosaics typically associated with Byzantine art along with Christian and Gothic media, as well as styles in stained glass, frescoes, illuminated manuscripts and sculpture. Instead, Quattrocento artists incorporated the more classic forms developed by classical Roman and Greek art.
Generally, "sculpture of any quality" was more expensive than an equivalent in painting, and when in bronze dramatically so. The painted Equestrian Monument of Niccolò da Tolentino of 1456 by Andrea del Castagno appears to have cost only 24 florins, while Donatello's equestrian bronze of Gattamelata, several years earlier, has been "estimated conservatively" at 1,650 florins.
At the end of the 15th century, Andrea Sansovino went to work for King John II of Portugal; there seems to have been a feeling that the Italians, with their almost exclusive monopoly on ancient art, also possessed the gift of what was right in art. [50] A focus of humanism on the model of the Italian courts was created around the court of John III.