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The Rite of Spring [n 1] (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky.It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich.
This is a sound and video discography of Igor Stravinsky's ballet The Rite of Spring. The work was premiered in Paris on May 29, 1913 at the Théâtre des Champs-Élysées . It was presented by Sergei Diaghilev 's Ballets Russes with choreography by Vaslav Nijinsky and was conducted by Pierre Monteux .
The Rite of Spring is a 2014 studio album by American jazz trio The Bad Plus. It is the group's ninth studio album. It is an interpretation of the Igor Stravinsky orchestral composition. [6] [7] The trio first performed the music live in 2011. [8]
Diaghilev was impressed enough that he commissioned Stravinsky to write some arrangements for the 1909 ballet season. [8] In the following years, Diaghilev commissioned Stravinsky to write three ballets: The Firebird (1910), Petrushka (1911), and The Rite of Spring (1913). [9] These ballets remain Stravinsky's most famous works today. [10] [11 ...
Arms of the Polish Soulima family, from which Stravinsky's family descended. Igor Fyodorovich Stravinsky was born in Oranienbaum, Russia—a town now called Lomonosov, about thirty miles (fifty kilometers) west of Saint Petersburg—on 17 June [O.S. 5 June] 1882.
[16] Stravinsky was particularly skilled at using ostinatos to confound rather than confirm rhythmic expectations. In the first of his Three Pieces for String Quartet, Stravinsky sets up three repeated patterns, which overlap one another and never coincide. "Here a rigid pattern of (3+2+2/4) bars is laid over a strictly recurring 23-beat tune ...
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With the LSO, Monteux gave a fiftieth anniversary performance of The Rite of Spring at the Royal Albert Hall in the presence of the composer. [136] Although the recording of the occasion reveals some lapses of ensemble and slack rhythms, it was an intense and emotional concert, and Monteux climbed up to Stravinsky's box to embrace him at the end.