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Jazz instrumentals (8 P) Jazz songs (18 C, 138 P) Jazz standards (3 C, 38 P) * ... The Golden Wedding; Goodbye Pork Pie Hat; H. Jim Hall compositions;
From 1959 to 2011, the Award was called Best Instrumental Jazz Album, Individual or Group. In 2012, it was shortened to Best Jazz Instrumental Album, encompassing albums that previously fell under the categories Best Contemporary Jazz Album and Best Latin Jazz Album (both defunct as of 2012). [1]
Pages in category "Grammy Award for Best Jazz Instrumental Album" The following 56 pages are in this category, out of 56 total. This list may not reflect recent changes .
"The Connick on Piano series will be purely instrumental, with all kinds of configurations: solo, big band, quartet, trio", Connick explains. The twelve Connick compositions on Other Hours was originally made for the 2001 musical Thou Shalt Not , which was the recipient of a Tony nomination for Best Original Musical Score (music & lyrics by ...
"Jazz Party" 1 [93] 310 September 17 Paul Brown "Secret Sauce" 2 [94] 311 September 24 Ryan La Valette "Highway 10" 1 [95] 312 October 1 Boney James featuring Dontae Winslow "Bring It Back" 1 [96] 313 October 15 Le Sonic featuring Lauran Beluzo and Robert Lee "I'll Be the One" 1 [97] 314 October 22 Adam Hawley featuring Vincent Ingala
La Cinquantaine" (French "the fiftieth anniversary") is a piece of music which was composed by Jean Gabriel-Marie in 1887. [1] A swing arrangement of the work by James "Jiggs" Noble, recorded in New York City in late 1940 or early 1941 by Woody Herman and his orchestra as "Golden Wedding", became a 1941 hit and a jazz standard. [2]
Before 1979 the award title did not specify instrumental performances and was presented for instrumental or vocal performances. The award has had several minor name changes: In 1959 the award was known as Best Jazz Performance, Individual
The song appeared on the soundtrack of the 1989/90 documentary celebrating her life entitled Sophisticated Lady. [10] In his autobiography Music Is My Mistress , Ellington writes that "George Gershwin once told Oscar Levant that he wished he had written the bridge to Sophisticated Lady, and that made me very proud".