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Security robots pursue Smash and Grab and attempt to kill them before they reach freedom. Trapped atop the train, Smash catches and throws security robots to Grab when they come through the door. Grab flings them against obstacles the train passes, noticing their batteries explode if damaged. One security robot manages to shoot Grab's arm off.
Robots is a 2005 American animated science fiction adventure comedy film produced by 20th Century Fox Animation and Blue Sky Studios, and distributed by 20th Century Fox.The film was directed by Chris Wedge and co-directed by Carlos Saldanha from a screenplay by David Lindsay-Abaire and the writing team of Lowell Ganz and Babaloo Mandel, based on a story conceived by Lindsay-Abaire, Ron Mita ...
M. Mars Express (film) Mars Needs Moms; Masameer: The Movie; Mechamato Movie; Mechanical Man (Oswald the Lucky Rabbit) The Mechanical Monsters; Meet the Robinsons
"Maschinenmensch" from the 1927 film Metropolis. Statue in Babelsberg, Germany. This list of fictional robots and androids is chronological, and categorised by medium. It includes all depictions of robots, androids and gynoids in literature, television, and cinema; however, robots that have appeared in more than one form of media are not necessarily listed in each of those media.
1953 – Robot Monster; 1954 – Godzilla (stop-motion scene of Godzilla's tail destroying the Nichigeki Theater building) [3] [4] 1956 – Forbidden Planet; 1956 – Invitation to the Dance (The third and final segment of Sinbad the Sailor) 1957 – The Black Scorpion; 1958 – Tom Thumb; 1958 – Vertigo (Dream Sequence) 1959 – I Was a ...
The site's critics consensus reads: "Eye-catching and energetic, The Mitchells vs. the Machines delivers a funny, feel-good story that the whole family can enjoy." [ 38 ] On Metacritic , the film has a weighted average score of 81 out of 100 based on 33 critics, indicating "universal acclaim".
Part of the AFI 100 Years... series, AFI's 100 Years...100 Laughs is a list of the top 100 funny movies in American cinema. A wide variety of comedies, totalling 500 films, were nominated for the distinction; genres included slapstick, action comedy, screwball comedy, romantic comedy, satire, black comedy, musical comedy, comedy of manners, and comedy of errors.
However, Kyle remembers that robots can be confused by a logical paradox, which inspires Jimmy to present Funnybot with a comedy award. This confounds Funnybot's programming, since one who accepts an award for being funny is clearly taking themselves and comedy seriously, which is not funny.