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Mahaganapati, folio from the Sritattvanidhi (19th century). Here he is depicted with ten arms and accompanied by a goddess. Mahaganapati (Sanskrit: महागणपति, mahā-gaṇapati), literally "Ganesha, the Great" [1]), also spelled as Maha Ganapati, and frequently called Mahaganadhipati, is an aspect of the Hindu god Ganesha.
Kaumodaki (Sanskrit: कौमोदकी, romanized: Kaumodakī, lit. 'captivator of the mind') [1] is the gadā (mace) of the Hindu deity Vishnu. [2] Vishnu is often depicted holding the Kaumodaki in one of his four hands; his other attributes are the chakra, the conch and the lotus.
Several Hindu deities are often portrayed with four arms in their iconography, featured in Hindu literature. The iconography of four arms is regarded to symbolise divinity and power, as well as dominion over the four quarters of the universe. [1] Chaturbhuja is also primarily employed as an epithet for the preserver deity, Vishnu. [2] [3]
Mitra, the god of oaths, promises, and friendships; Varuna, the god of water the seas, the oceans, and rain; Indra, also called Śakra, the king of gods, and the god of weather, storms, rain, and war; Savitr, the god of the morning sun; associated with Surya; Aṃśa, solar deity; associated with Surya; Aryaman the god of customs, hospitality ...
Panchajanya - a Shankha conch shell of the Hindu god Vishnu. Shankha - A conch shell which is of ritual and religious importance in both Hinduism and Buddhism. The Shankha is a sacred emblem of the Hindu preserver god Vishnu. It is still used as a trumpet in Hindu ritual, and in the past was used as a war trumpet. Yogesha Nadam - The conch of ...
Though a minor mention and with overlapping attributes in the Vedas, he has important characteristics in various hymns of the Rig Veda, such as 1.154.5, 1.56.3 and 10.15.3. [67] In these hymns, the Vedic scriptures assert that Vishnu resides in that highest home where departed Atman (Self) reside, an assertion that may have been the reason for ...
Krishna informs his parents, Vasudeva and Devaki, that He was also previously their son as Vamana (also known as Upendra) when they were Kashyapa and Aditi (10.3.42) Bana, the eldest son of Bali, was a devotee of Shiva and 'especially satisfied the lord by playing a musical accompaniment with his one thousand arms' (10.62.2)
In the contemporary Hindu culture of Bali in Indonesia, Siwa (Shiva) Nataraja is the god who created dance. [59] Siwa and his dance as Nataraja was also celebrated in the art of Java Indonesia when Hinduism thrived there, while in Cambodia he was referred to as Nrittesvara. [60] Modern statue gifted by India at CERN in Geneva, Switzerland
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