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42. Aria Gebt mir meinen Jesum wieder! (bass) 43. Mt 27:7–14, with Vox Christi and Pilate (bass) 44.
Jesum laß' ich nicht von mir: 29 [b] four-part chorale Sebald Heyden: ... Gebt mir meinen Jesum wieder! Picander: 43 52: Ev, Jesus, Pilate: E minor → D major 2Vn Va Bc
Deutsch: Bach, Matthäuspassion BWV 244, Incipit Nr. 51 Gebt mir meinen Jesum wieder! Date: 10 November 2011: Source: Own work: Author: Wikiwal: Permission (Reusing ...
BWV 124 – Meinen Jesum laß ich nicht (cantata) BWV 125 – Mit Fried und Freud ich fahr dahin (cantata) BWV 126 – Erhalt uns, Herr, bei deinem Wort (cantata) BWV 127 – Herr Jesu Christ, wahr' Mensch und Gott (cantata) BWV 128 – Auf Christi Himmelfahrt allein (cantata) BWV 129 – Gelobet sei der Herr, mein Gott (cantata)
In his catalogue published in 1976 Fritz Hennenberg numbered 442 of Stölzel's church cantatas and 27 of his secular cantatas as surviving with music. Hennenberg also numbered the cantata cycles, although some of his assumptions in that regard were later revised after further research.
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Christian Keymann (also Christian Keimann; 27 February 1607 – 13 January 1662) was a German hymnwriter.He is known for writing the chorale "Meinen Jesum laß ich nicht" in 1658, which served as the base for Bach's chorale cantata Meinen Jesum laß ich nicht, BWV 124, and other compositions.
The cantata ends with a four-part setting of the chorale, "Meinen Jesum laß ich nicht, geh ihm ewig an der Seiten" (I will not let go of my Jesus, I will walk beside Him forever), [7] with a conjunct melody and active continuo line. [8] The last line is the same as the first, connecting to the beginning of the cantata. [7] [4]