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Ugarit, where the Hurrian songs were found. The complete song is one of about 36 such hymns in cuneiform writing, found on fragments of clay tablets excavated in the 1950s from the Royal Palace at Ugarit (present-day Ras Shamra, Syria), [5] in a stratum dating from the fourteenth century BC, [6] but is the only one surviving in substantially complete form.
The melody of the song is recorded, alongside its lyrics, in ancient Greek musical notation. While older music with notation exists (e.g. the Hurrian songs or the Delphic Hymns), all of it is in fragments; the Seikilos epitaph is unique in that it is a complete, though short, composition. [5]
He rejects (Pythagorean) ditonism and heptatonism, as a model for Oriental music and particularly rejects the hypothesis of the use of dichords in the Musicology of the Ancient Near East. Dumbrill offers another interpretation of the Hurrian songs, the oldest music ever written, which was found in northwest Syria at the site of Ugarit.
Foundation tablet. Dedication to God Nergal by Hurrian king Atalshen, king of Urkish and Nawar, Habur Bassin, circa 2000 BC. Louvre Museum AO 5678. "Of Nergal the lord of Hawalum, Atal-shen, the caring shepherd, the king of Urkesh and Nawar, the son of Sadar-mat the king, is the builder of the temple of Nergal, the one who overcomes opposition.
The oldest surviving written music is the Hurrian songs from Ugarit, Syria. Of these, the oldest is the Hymn to Nikkal (hymn no. 6; h. 6), which is somewhat complete and dated to c. 1400 BCE. [69] However, the Seikilos epitaph is the earliest entirely complete noted musical composition.
Anne Draffkorn Kilmer made many of her most important contributions to fields that she called “music archaeology” and “Mesopotamian music theory.” Kilmer is credited with deciphering the oldest known recorded piece of music, a 3,400 year old hymn from the Syrian city of Ugarit .
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Music was a normal part of social life in Mesopotamia [14] and was used in many secular contexts. [15] Music played important roles at funerals, [16] among royalty, [17] and was also depicted in relation to sports and sex. [18] Mesopotamian love songs, which represented a distinct genre of music, nevertheless shared features in common with ...