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Rocinante (Rozinante [1]) (Spanish pronunciation: [roθiˈnante]) is Don Quixote's horse in the 1605/1615 novel Don Quixote by Miguel de Cervantes. In many ways, Rozinante is not only Don Quixote's horse, but also his double; like Don Quixote, he is awkward, past his prime, and engaged in a task beyond his capacities. [2] [3]
For Cervantes and the readers of his day, Don Quixote was a one-volume book published in 1605, divided internally into four parts, not the first part of a two-part set. The mention in the 1605 book of further adventures yet to be told was totally conventional, did not indicate any authorial plans for a continuation, and was not taken seriously by the book's first readers.
I, Don Quixote is a non-musical play written for television and directed by Karl Genus.It was broadcast in season 3 of the CBS anthology series DuPont Show of the Month on the evening of November 9, 1959.
Don Quixote's housekeeper, who carries out the book-burning with alacrity and relish. The innkeeper who puts Don Quixote up for the night and agrees to dub him a "knight," partly in jest and partly to get Don Quixote out of his inn more quickly, only for Don Quixote to return later, with a large number of people in tow.
Sancho Panza (Spanish: [ˈsantʃo ˈpanθa]) is a fictional character in the novel Don Quixote written by Spanish author Miguel de Cervantes Saavedra in 1605. Sancho acts as squire to Don Quixote and provides comments throughout the novel, known as sanchismos, that are a combination of broad humour, ironic Spanish proverbs, and earthy wit.
Man of La Mancha is a 1965 musical with a book by Dale Wasserman, music by Mitch Leigh, and lyrics by Joe Darion.It is adapted from Wasserman's non-musical 1959 teleplay I, Don Quixote, which was in turn inspired by Miguel de Cervantes and his 17th-century novel Don Quixote.
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This is the only reference to the popular novel Lazarillo de Tormes in the main narrative of the book (Lazarillo, specifically an episode in which he uses a straw to steal wine from a blind man, is also mentioned in one of the "commendatory verses" before the narrative), and it acts as a foil for Don Quixote's will to be a literary hero in his own lifetime.