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[a] The poem is also known as phainetai moi (φαίνεταί μοι lit. ' It seems to me ') after the opening words of its first line. It is one of Sappho's most famous poems, describing her love for a young woman. Fragment 31 has been the subject of numerous translations and adaptations from ancient times to the present day.
Interlunar is a 1984 poetry collection by Canadian author Margaret Atwood. One of her lesser documented works, the collection is divided into two sections. The first, Snake Woman, explores one of her favorite motifs, the snake. The second section, Interlunar, deals with themes of darkness. [1]
The Prick of Conscience's popularity can be judged from the fact that it survives in about 130 manuscripts – more than any other Old or Middle English poem. [5] A wide range of churchmen and lay men and women owned or accessed manuscripts of the poem; Agnes Paston, a member of the family who produced the Paston Letters, is known to have borrowed a copy, from a burgess of Great Yarmouth.
Sapphism is an umbrella term for any woman attracted to women or in a relationship with another woman, regardless of their sexual orientations, and encompassing the romantic love between women. The term is inclusive of individuals who are lesbian , bisexual , pansexual , omnisexual , aromantic , asexual , or queer .
Poetry is the supreme fiction, madame. Take the moral law and make a nave of it And from the nave build haunted heaven. Thus, The conscience is converted into palms, Like windy citherns hankering for hymns. We agree in principle. That's clear. But take The opposing law and make a peristyle, And from the peristyle project a masque
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"There's a special place for you in heaven," someone else agreed. "My son went to adopt a dog, the one he wanted had a sister with him. No way I was about to leave that little girl!
Carolyn Carty also claims to have written the poem in 1963 when she was six years old based on an earlier work by her great-great aunt, a Sunday school teacher. She is known to be a hostile contender of the "Footprints" poem and declines to be interviewed about it, although she writes letters to those who write about the poem online. [1]