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Brahma is one of the poems composed by Ralph Waldo Emerson, an American transcendentalist of the nineteenth century. [3] The poem is composed in the form of an utterance- a form which comprises sublime or metaphysical content while adding to it the balladic quatrain-music pattern.
Jones Very (August 28, 1813 – May 8, 1880) was an American poet, essayist, clergyman, and mystic associated with the American Transcendentalism movement. He was known as a scholar of William Shakespeare, and many of his poems were Shakespearean sonnets. He was well-known and respected among the Transcendentalists.
Transcendental poetry is a term related to the theory of poetry and literature and, more precisely, to the fields of aesthetics and romantic philosophy. [1] The expression "transcendental poetry" was created by the German critic and philosopher Friedrich Schlegel (1772-1829) and also used by the poet and philosopher Friedrich von Hardenberg (1772-1801), also known as Novalis.
William Ellery Channing II (November 29, 1817 – December 23, 1901) was an American Transcendentalist poet, nephew and namesake of the Unitarian preacher Dr. William Ellery Channing. [1] His uncle was usually known as "Dr. Channing", while the nephew was commonly called "Ellery Channing", in print.
Ralph Waldo Emerson (May 25, 1803 – April 27, 1882), [2] who went by his middle name Waldo, [3] was an American essayist, lecturer, philosopher, minister, abolitionist, and poet who led the Transcendentalist movement of the mid-19th century.
Ellen Sturgis Hooper (February 17, 1812 – November 3, 1848) was an American poet. A member of the Transcendental Club, she was widely regarded as one of the most gifted poets among the New England Transcendentalists. Her work is occasionally reprinted in anthologies.
Dickinson was a poet "influenced by transcendentalism and dark romanticism," and her work bridged "the gap to Realism." [77] Of the ten poems published in her lifetime, the Springfield Republican published five (all unsigned), with Sam Bowles and Josiah Holland as editors, between 1852 and 1866.
The poem is written in Whitman's signature free verse style. Whitman, who praises words "as simple as grass" (section 39) forgoes standard verse and stanza patterns in favor of a simple, legible style that can appeal to a mass audience. [7] Critics have noted a strong Transcendentalist influence on the poem. In section 32, for instance, Whitman ...