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It was filmed in the Roman church of Santa Maria Sopra Minerva, in Rome, in 1999, where he gave a concert conducted by Myung-whun Chung, singing the arias of his previous album, Sacred Arias. Sacred Arias: Special Edition , a CD/DVD package, was released October 14, 2003, containing both, the album and the DVD as a bonus.
It was released in 1985. A second, 54-minute version of the album, released in 1995 as Recital: Frederica von Stade: Cavalli, Monteverdi & Mozart Arias, added two bonus arias taken from Erato's 1978 recording of Mozart's Così fan tutte, on which von Stade sang Dorabella with the Orchestre Philharmonique de Strasbourg under Alain Lombard. [1]
Sacred Arias (Italian: Arie Sacre), is the sixth studio album by Italian tenor Andrea Bocelli.. Released in 1999, the album, featuring music composed in traditional Christian styles, is not only Bocelli's most commercially successful classical album to date with over 5 million copies sold, [1] but also the biggest selling classical album by any solo artist in history.
The Orchestra of St. Lukes is most effective wrapping its lushness around the tenor on a dramatic rendering of Puccini's "Donna Non Vidi Mai." Bassist Ron Carter and pianist Billy Childs complete a beautiful trio. This isn't Grover at his most inventive or exciting, but like everything he did, it's full of pure heart". [1]
[2] [5] Columbia also issued the album on cassette (catalogue number 40–76476 in Europe). [14] In 2012, Newton Classics issued the album on CD (with a 16-page booklet featuring a biography of von Stade by David Patrick Stearns) in their 4-CD collection Frederica von Stade: Duets, Arias, Scenes & Songs (catalogue number 8802125). [15]
Italian Opera Arias is a studio album of music by Frederica von Stade, Janice Taylor and the National Arts Centre Orchestra under the direction of Mario Bernardi. It was released in 1979. It was released in 1979.
The post 40 Beauty Quotes That Celebrate the Truly Beautiful appeared first on Reader's Digest. ... For the sun every morning is a beautiful spectacle, and yet most of the audience still sleeps.”
Sissel's musical style runs the gamut from pop recordings and traditional folk songs, to classical vocals and operatic arias. She possesses a "crystalline" voice [2] and wide vocal range, sweeping down from mezzo-soprano notes, in arias such as Mon cœur s'ouvre à ta voix from Saint-Saëns's opera Samson et Dalila, to the F natural above ...