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Media in category "Paintings by Carlo Carrà" The following 4 files are in this category, out of 4 total. Carlo Carrà, 1911, Rhythms of Objects (Ritmi d'oggetti), oil on canvas, 53 x 67 cm, Pinacoteca di Brera.jpg 765 × 606; 231 KB
The Funeral of the Anarchist Galli (Il Funerale dell’anarchico Galli) is a painting by Italian painter Carlo Carrà. It was finished in 1911, during the artist's futurist phase, and is considered Carrà's most famous piece. The piece depicts the violent funeral of anarchist Angelo Galli, an event Carrà witnessed in his early adulthood. The ...
File: Carlo Carrà, 1911, Rhythms of Objects (Ritmi d'oggetti), oil on canvas, 53 x 67 cm, Pinacoteca di Brera.jpg
The Constellation of Leo (Italian: La costellazione del leone) is a painting made by Carlo Maria Mariani in 1980–1981. It is a group portrait of prominent people from Italy's art world at the time, including Mariani himself, and has the subtitle The School of Rome (Italian: La scuola di Roma). It contains visual references to ancient ...
grandson, Giovanni Carlo Galli-Bibiena (1717–1760), architect/designer [5] greatgrandson, Carlo Galli Bibiena (1728–1787), designer, son of Giuseppe Galli Bibiena; The Galli–Bibiena family derives its name from the surname and birthplace of papa Giovanni Maria Galli (1625 - 21 June 1665), [5] who was born at Bibbiena outside Florence. [2]
This Halloween 2024, use these printable pumpkin stencils and free, easy carving patterns for the scariest, silliest, most unique, and cutest jack-o’-lanterns.
The decorative element comes to the fore in Depero's later painting, e.g. Train Born from the Sun (1924). He applied this approach in theatre design and commercial art - e.g. his unrealised designs for Stravinsky's Chant du Rossignol, (1916) his large tapestry, The Court of the Big Doll (1920) and his many posters.
In 1947 he exhibited his first work at the Angelicum Gallery in Milan, on the occasion of the biennial exhibition of sacred art. In the following edition in 1949, the two works he exhibited, Visitazione and Cena in Emmaus, were met with great appreciation by Carlo Carrà.