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The term marimba refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. [1] The term is of Bantu origin, deriving from the prefix ma-meaning 'many' and -rimba meaning 'xylophone'. The term is akin to Kikongo and Swahili marimba or malimba. [2]
The Cubans call it marímbula, and most of the other Caribbean countries have adopted this name or some variant of it: marimba, malimba, manimba, marimbol. The instrument has a number of other names, such as marímbola (Puerto Rico), bass box, calimba (calymba), rhumba box, Church & Clap, Jazz Jim or Lazy Bass , and box lamellophone.
To marimba players this technique is called “transport”, and it is very common to see this technique applied to the marimba simple. Arch or Ring Marimba. The arch marimba was probably the first, followed by a simple instrument with a diatonic row of wood bars played with mallets, with gourd resonators, placed on a wooden a stand. In 1894 ...
Leigh Howard Stevens (born March 9, 1953, in Orange, New Jersey [1]) is a marimba artist best known for developing, codifying, and promoting the Stevens technique or Musser-Stevens grip, a method of independent four-mallet marimba performance based on the Musser grip.
The marimba was introduced in Zimbabwean Music during the early 1960s when the Kwanongoma College of African Music in Bulawayo adopted it. [21] Founders of the college considered that marimba could boost the musical development of the country, and design a model that it's now known as Kwanongoma marimba. [ 22 ]
A coup d’état in 1932 resulted in the massacre of around 30,000 people and destruction of both the indigenous population and the original marimba de arco. The modern version of the instrument is a three octave marimba de arco and the music is always instrumental. The heyday of marimba in El Salvador was from the 1920s to 1930s when musicians ...
From New Mexico to Panama, and throughout Guatemala, nearly 300 churches are devoted to its veneration, making the image a source of communal identity even beyond its religious meaning, said Douglass Sullivan-González, a University of Mississippi history professor.
The marimba of Nicaragua distinguishes itself from the other forms of marimba in Central America by the way it is played. Nicaragua's marimba is played by a sitting performer holding the instrument on his knees. They are usually accompanied by a bass fiddle, guitar and guitarrilla (a small guitar similar to a mandolin). This music is played at ...