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"El Preso" (translation "the prisoner") is a song recorded by Fruko y sus Tesos. It was released in 1975 with vocals by Wilson Saoko. [1] The song was composed by the band's percussionist Álvaro Velásquez. [2] [3] The lyrics are the narration of a prisoner ("preso") serving 30 years. [4]
Fruko y sus Tesos is a salsa group from Colombia that is popular in both Latin America and the United States. It was formed in 1969 by multi-instrumentalist Julio Ernesto Estrada (aka Fruko). [ 1 ] Beginning with Tesura in 1969, the band has recorded 42 albums to date. [ 2 ]
Raymond y sus Amigos (Spanish: Raymond and his Friends) is a Puerto Rican live television sketch comedy, political satire, and variety show created by Raymond Arrieta and developed by Tony Mojena that airs on Telemundo Puerto Rico. The show's recurring sketches often parody Puerto Rican culture and politics and are performed by the show's ...
Es una chica”, dijo uno de los entrenadores. La gente se puso a empujar la valla que los separaba de la carrera para poder verla. Su nombre era Amaris Tyynismaa. Tenía 13 años y era ágil, iba vestida de rosa y naranja chillón. Con cada paso, recorría grandes tramos y sus zancadas parecían alargarse y simplificarse cuanto más rápido ...
The Spanish Wikipedia (Spanish: Wikipedia en español) is a Spanish-language edition of Wikipedia, a free online encyclopedia.It has 1,994,586 articles. Started in May 2001, it reached 100,000 articles on 8 March 2006, and 1,000,000 articles on 16 May 2013.
Living Is Easy with Eyes Closed (Spanish: Vivir es fácil con los ojos cerrados) is a 2013 Spanish comedy-drama film written and directed by David Trueba, and starring Javier Cámara, Natalia de Molina, and Francesc Colomer. The film's title comes from a lyric in the Beatles' song "Strawberry Fields Forever".
The relationship between Trump and Rubio is an eight-year saga. It bottomed out during their nasty 2016 primary. They've grown close since.
El Mundo was first published on 23 October 1989. [2] [3] Perhaps the best known of its founders was Pedro J. Ramírez, who served as editor until 2014. [4]Ramirez had risen to prominence as a journalist during the Spanish transition to democracy. [5]