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In The Republic (509d–510a), Socrates describes the divided line to Glaucon this way: . Now take a line which has been cut into two unequal parts, and divide each of them again in the same proportion, [1] and suppose the two main divisions to answer, one to the visible and the other to the intelligible, and then compare the subdivisions in respect of their clearness and want of clearness ...
The Analogy of the Divided Line, Plato's schematic representation of all possible metaphysics, epistemology, and ethics on four hierarchical levels in the Republic, Book 6; Plato's tripartite theory of soul, Plato's partitioned organization of the Soul as presented in the Phaedo and the Republic
The Sophist (Greek: Σοφιστής; Latin: Sophista [1]) is a Platonic dialogue from the philosopher's late period, most likely written in 360 BC. In it the interlocutors, led by Eleatic Stranger employ the method of division in order to classify and define the sophist and describe his essential attributes and differentia vis a vis the philosopher and statesman.
Cratylus (/ ˈ k r æ t ɪ l ə s / KRAT-il-əs; Ancient Greek: Κρατύλος, Kratylos) is the name of a dialogue by Plato.Most modern scholars agree that it was written mostly during Plato's so-called middle period. [1]
In philosophy and specifically metaphysics, the theory of Forms, theory of Ideas, [1] [2] [3] Platonic idealism, or Platonic realism is a theory widely credited to the Classical Greek philosopher Plato. The theory suggests that the physical world is not as real or true as "Forms".
In philosophy, Plato's epistemology is a theory of knowledge developed by the Greek philosopher Plato and his followers. Platonic epistemology holds that knowledge of Platonic Ideas is innate, so that learning is the development of ideas buried deep in the soul, often under the midwife-like guidance of an interrogator.
The traditional division of the works of Plato into tetralogies was done by Thrasyllus of Mendes. [6] The list includes works of doubtful authenticity (in italic), as well as the Letters. 1st tetralogy Euthyphro, Apology, Crito, Phaedo; 2nd tetralogy Cratylus, Theatetus, Sophist, Statesman; 3rd tetralogy Parmenides, Philebus, Symposium, Phaedrus
This assumption fits the hypothesis that Plato distanced himself from the theory of forms in his last creative period, having abandoned it or at least considered it in need of revision. However, Plato's Socrates in the Philebus places great emphasis on the distinction between the superior realm of unchanging being and the world of becoming and ...