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Francis Iles (Anthony Berkeley Cox) was somewhat muted in his praise in his review in The Guardian of 7 December 1962 when he said, "she has of course thought up one more brilliant little peg on which to hang her plot, but the chief interest to me of The Mirror Crack'd from Side to Side was the shrewd exposition of what makes a female film star tick the way she does tick.
The Mirror Crack'd is a 1980 British mystery film directed by Guy Hamilton from a screenplay by Jonathan Hales and Barry Sandler, based on Agatha Christie's Miss Marple novel The Mirror Crack'd from Side to Side (1962). It stars Angela Lansbury, Geraldine Chaplin, Tony Curtis, Edward Fox, Rock Hudson, Kim Novak, and Elizabeth Taylor.
This collection included a version in prose of the Romeo and Juliet story named "The goodly History of the true and constant love of Romeo and Juliett". Shakespeare took advantage of this popularity: The Merchant of Venice, Much Ado About Nothing, All's Well That Ends Well, Measure for Measure, and Romeo and Juliet are all from Italian novelle.
The earliest tale bearing a resemblance to Shakespeare's Romeo and Juliet is Xenophon of Ephesus' Ephesiaca, whose heroic figure is a Habrocomes.The character of Romeo is also similar to that of Pyramus in Ovid's Metamorphoses, a youth who is unable to meet the object of his affection due to an ancient family quarrel, and later kills himself due to mistakenly believing her to have been dead. [3]
Romeo and Juliet. The Romeo and Juliet effect describes the intensification of romantic feelings in relationship when met by parental opposition, as coined by British actor and director Richard Driscoll [1] referencing the protagonists of the William Shakespeare play Romeo and Juliet, whose families were opposed to their union.
Following the familiar "Romeo and Juliet" template, the latest movie from Pixar Animation puts a new spin on a tale of opposites attracting. Review: The story may be basic, but the visually ...
Queen Mab, illustration by Arthur Rackham (1906). Queen Mab is a fairy referred to in William Shakespeare's play Romeo and Juliet, in which the character Mercutio famously describes her as "the fairies' midwife", a miniature creature who rides her chariot (which is driven by a team of atom-sized creatures) over the bodies of sleeping humans during the nighttime, thus helping them "give birth ...
Juliet then kills herself with Romeo's dagger, completing the tragedy. The Friar is forced to return to the tomb, where he recounts the entire story to Prince Escalus and all the Montagues and Capulets. As he finishes, the prince proclaims, "We have still known thee for a holy man."