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  2. Tempera - Wikipedia

    en.wikipedia.org/wiki/Tempera

    Egg tempera is water-resistant, but not waterproof. Different preparations use the egg white or the whole egg for a different effect. Other additives such as oil and wax emulsions can modify the medium. Egg tempera is not a flexible paint and requires stiff boards; painting on canvas will cause cracks to form and chips of paint to fall off.

  3. Canvas - Wikipedia

    en.wikipedia.org/wiki/Canvas

    Splined canvas can be restretched by adjusting the spline. Stapled canvases stay stretched tighter over a longer period of time, but are more difficult to re-stretch when the need arises. Canvas boards are made of canvas stretched over and glued to a cardboard backing, and sealed on the backside. The canvas is typically linen primed for a ...

  4. Acrylic paint - Wikipedia

    en.wikipedia.org/wiki/Acrylic_paint

    Acrylic paint can be removed from nonporous plastic surfaces such as miniatures or models using cleaning products such as Dettol (containing chloroxylenol 4.8% v/w). [23] An acrylic sizing should be used to prime canvas in preparation for painting with acrylic paints, to prevent Support Induced Discoloration (SID).

  5. The Best Alcohol Inks for Painting on Waterproof Surfaces

    www.aol.com/best-alcohol-inks-painting...

    Highly pigmented alcohol ink is an incredibly versatile painting medium. Most products can be used on virtually any nonporous surface, from resin to Yupo paper (a synthetic waterproof paper).

  6. Floorcloth - Wikipedia

    en.wikipedia.org/wiki/Floorcloth

    Some still use floorcloths as a customizable alternative to rugs, and some artists have elected to use floorcloths as a medium of expression. Most modern floorcloths are made of heavy, unstretched canvas [2] with two or more coats of gesso. They are then painted and varnished to make them waterproof.

  7. Lining of paintings - Wikipedia

    en.wikipedia.org/wiki/Lining_of_paintings

    The Canadian Conservation Institute lists ten agents of deterioration that play a role in damaging an object or work of art. [4] While all of these agents play a role in damaging a painting over its lifetime, five primary agents are involved in the degradation of an artwork's canvas and its pigment layers.

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