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Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
Two techniques that jewelers used to incorporate gems, glass and other metals into jewelry were inlay and enameling. [34] The main difference between these methods is that inlay can refer to any material inserted into a design, whereas enamel refers specifically to pieces of a colored glass mixture put in place while melted. [35]
A pendant made from modern dichroic glass. Dichroic glass is glass which can display multiple different colors depending on lighting conditions.. One dichroic material is a modern composite non-translucent glass that is produced by stacking layers of metal oxides which give the glass shifting colors depending on the angle of view, causing an array of colors to be displayed as an example of ...
The Portland Vase, about 5–25 AD . Cameo glass is a luxury form of glass art produced by cameo glass engraving or etching and carving through fused layers of differently colored glass to produce designs, usually with white opaque glass figures and motifs on a dark-colored background.
Opalescent glass. The term "opalescent glass" is commonly used to describe glass where more than one color is present, being fused during the manufacture, as against flashed glass in which two colors may be laminated, or silver stained glass where a solution of silver nitrate is superficially applied, turning red glass to orange and blue glass to green.
Once merged, the opposingly twisted canes cross each other creating a net like pattern. If done the traditional way, small air bubbles will be trapped in a grid pattern between the crossing canes. Rod – a rod of glass used as a raw material in forming and fusing glass; Studio glass – artistic glass made by an individual or small workshop.
A special type of bangle is worn by women and girls, especially in the Bengal area, commonly known as a "Bengali bangle", which is used as a substitute for a costly gold bangle, and is produced by thermo-mechanically fusing a thin gold strip (weighing between 1–3 g) onto a bronze bangle, followed by manual crafting on that fused gold strip.
The difference between the techniques is analogous to the woodworking techniques of intarsia and marquetry. It differs from the basse-taille technique, which succeeded it in the highest quality Gothic work, in that the bottoms of the recesses for the enamel are rough, and so only opaque enamel colours are used.