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Siena Cathedral façade Gargoyles and Saints on façade. The façade of Siena Cathedral is one of the most fascinating in all of Italy and certainly one of the most impressive features in Siena. [6] Each of the cardinal points (west, east, north, and south) has its own distinct work; by far the most impressive of these is the west façade.
The gallery has one of the largest collections of Sienese paintings with gold backgrounds from the 14th and 15th centuries. [2] Works in the gallery include: Duccio di Buoninsegna's Polyptych N. 28 and Madonna of the Franciscans; Guido da Siena's St. Peter Enthroned; Simone Martini's Blessed Agostino Novello and His Miracles (c. 1330)
Wiener Neustadt Cathedral, Wiener Neustadt 1623 c. Sculpture Bronze 22 [26] Two Angels in Sant'Agostino: Basilica of Sant'Agostino, Rome 1626–1628 Sculpture Marble Life-size 23 [27] Bust of Francesco Barberini: National Gallery of Art, Washington, D.C. 1626 Sculpture Marble Height 80 cm (31 in) 24(a) [28] Bust of Camilla Barbadoni
Giovanni's next work was at Pisa Cathedral, sculpting the statues in the two rows of traceried gables at the exterior of the Baptistry (1277–1284). The vivacity of these statues is a new confirmation that he had left the serene style of his father behind. Between 1287 and 1296 he was appointed chief architect of Siena Cathedral. The ...
Duccio, Maestà (1308–11), his masterpiece was for Siena's cathedral [3]; Master Francke, German Gothic painter and Dominican friar [4]; Giotto, Proto-Renaissance artist with many religious works; the best regarded perhaps is his Cappella degli Scrovegni in the Arena Chapel [5]
For artists with more than one type of work in the collection, or for works by artists not listed here, see the LACMA website or the corresponding Wikimedia Commons category. Of artists listed, less than 10% are women. For the complete list of artists and their artworks in the collection, see the website.
Much later sculpture of Nicola Pisano. According to the Siena Cathedral archives, Nicola Pisano was born to Petrus de Apulia between 1200 and 1205 in Apulia. [5] Nicola may have trained in the imperial workshops of Holy Roman Emperor Frederick II who encouraged artists towards the "revival of classical forms" where "the representational traditions of classical art were given new life and ...
In 1435 he was knighted and given the important position of Operaio of the cathedral. In his final years, he was also involved in the decoration of the chapel of Saint Sebastian (destroyed in 1645) for the cardinal Casini in the cathedral of Siena, but, as part of a relief of the cardinal, most works were done by his Siena workshop.