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The instruments used in chutney were those that were approved for women to play, making chutney becoming viewed as a woman's music genre. Since then, chutney has grown from a woman's genre into a leading player of the pop music scene with both men and women participating in nationwide competitions. [17]
Sá Gomes, a Portuguese immigrant who owned a local music and phonograph equipment shop in Port of Spain, promoted the genre and gave financial support to the local artists. In March 1934, he sent Roaring Lion and Attila the Hun to New York City to record; they became the first calypsonians to record abroad, bringing the genre out of the West ...
Calinda – Trinidadian folk music played during practices of the martial art of the same name. Čalgija – Macedonian folk style. Calypso music – a Trinidadian popular music genre inspired by both African (via Kaiso) and French styles and is known for its lyrics dealing with the racist oppression of native Trinidadians at the time.
This category has the following 7 subcategories, out of 7 total. C. Calypso music (6 C, 23 P) ... Pages in category "Trinidad and Tobago styles of music"
Divisions between Caribbean music genres are not always well-defined, because many of these genres share common relations, instrumentation and have influenced each other in many ways and directions. [2] For example, the Jamaican mento style has a long history of conflation with Trinidadian calypso. [3]
Soca music, or the "soul of calypso", is a genre of music that originated in Trinidad and Tobago in the 1970s. It is considered an offshoot of calypso , with influences from West African (e.g. kaiso ) and East Indian rhythms. [ 1 ]
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Originally called "Kaiso" in Trinidad, these songs, based on West African Yoruba, Ewe-Fon and Akan musical beats, were sung by slaves and later ex-slaves in Trinidad and Tobago during recreation time and about a host of topics – their land of origin, social relationships on the plantations and the lives of community members, including ...