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One of the most pronounced features of early Renaissance European art music was the increasing reliance on the interval of the third and its inversion, the sixth (in the Middle Ages, thirds and sixths had been considered dissonances, and only perfect intervals were treated as consonances: the perfect fourth the perfect fifth, the octave, and the unison).
Renaissance music flourished in Europe during the 15th and 16th centuries. The second major period of Western classical music, the lives of Renaissance composers are much better known than earlier composers, with even letters surviving between composers. Renaissance music saw the introduction of written instrumental music, although vocal works ...
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music .
c. 1600-c. 1725 Italian Baroque Music. 1605 — Claudio Monteverdi 's fifth book of madrigals opens with a defense of the seconda pratica of Cipriano de Rore , Luca Marenzio , Giaches de Wert , and his own music, in which the music evokes stronger emotion through increasing use of dissonance and a stronger harmonic progression based on a more ...
They contain mostly sacred vocal music composed between 1400 and 1475. Containing more than 1,500 separate musical compositions by 88 different named composers, as well as a huge amount of anonymous music (including the famous Missa Caput ), they are the largest and most significant single manuscript source from the entire century from anywhere ...
Sacred music like Gregorian chant and various other religious and non-religious styles were developed during this time. Ars antiqua (c. 1170 – c. 1310) Ars nova (c. 1310 – c. 1377) Ars subtilior (c. 1380) Renaissance (c. 1400 – c. 1600) – Period characterized by the development of polyphony and a richer use of harmony and melody. Genres ...
In the transition from Renaissance music (1400–1600) to Baroque music (1580–1750), Claudio Monteverdi usually is credited as the principal madrigalist whose nine books of madrigals showed the stylistic, technical transitions from the polyphony of the late 16th century to the styles of monody and of the concertato accompanied by basso ...
An extensive listing of sources and critical commentary on Masses based on the "L'homme armé" tune, created as part of a Spring 2002 seminar by Mary Kay Duggan at the University of California, Berkeley, is available at Reform and music: 1450–1600 (accessed 3/18/08).