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  2. Tristan Eaton - Wikipedia

    en.wikipedia.org/wiki/Tristan_Eaton

    In the summer of 2013, Eaton painted the mural I was a Botox Junkie in the corner of Traction and East Third streets in the Arts District of Los Angeles. [19] [20] [21] Also in 2013, Eaton created the mural Audrey of Mulberry in Little Italy, Manhattan, depicting the legendary actress and fashion icon Audrey Hepburn.

  3. From the streets to art galleries: New NYC exhibit celebrates ...

    www.aol.com/streets-art-galleries-nyc-exhibit...

    NEW YORK - Graffiti, once an underground movement in the '70s and '80s, has now moved above ground. In fact, "Above Ground" is the name of the new exhibit at the Museum of the City of New York ...

  4. Legal wall - Wikipedia

    en.wikipedia.org/wiki/Legal_wall

    Cameron McAuliffe says legal walls can help legitimise graffiti as an art form. [3] This was seen on a legal wall in Malmö , where after a group of young people were attacked by neo-nazis , large scale protests were held and a local legal wall was painted with a piece using the words "Kämpa Malmö" ("Keep fighting Malmö") with a rainbow ...

  5. Modica Way - Wikipedia

    en.wikipedia.org/wiki/Modica_Way

    Modica Way (officially "Richard B. Modica Way") aka "Graffiti Alley" is a legal graffiti gallery in Central Square, Cambridge, Massachusetts. [ 1 ] [ 2 ] [ 3 ] It was begun in 2006 and has been described as "the hallmark of Central Square" [ 4 ] and "one of Boston's most instagrammable spots."

  6. Graffiti - Wikipedia

    en.wikipedia.org/wiki/Graffiti

    Graffiti is a form of art that cannot be owned or bought. It does not last forever, it is temporary, yet one of a kind. It is a form of self promotion for the artist that can be displayed anywhere from sidewalks, roofs, subways, building wall, etc. [67] Art to them is for everyone and should be shown to everyone for free.

  7. Graffiti in the United States - Wikipedia

    en.wikipedia.org/wiki/Graffiti_in_the_United_States

    A heavily tagged subway car in New York City in 1973. By the mid-1970s, most standards had been set in graffiti writing and culture. The heaviest "bombing" in U.S. history took place in this period, partially because of the economic restraints on New York City, which limited its ability to combat this art form with graffiti removal programs or transit maintenance.

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