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Goodbye!" to the same tune at the end of their 1937 movie O-Kay for Sound. [22] R&B singer and bandleader Dave Bartholomew used the phrase on two of his recordings: "Country Boy" (1950) at the very end, and the original version of "My Ding-a-Ling" (1952) as a figure introducing each verse. [23] [better source needed]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Nashville notation or Nashville Number System [2] is a method of writing, or sketching out, musical ideas, using numbers in place of chord names. For example, in the key of C major, the chord D minor seventh can be written as "2− 7", "2m 7", or "ii 7". "The musicians in Nashville use the Nashville Number System almost exclusively for ...
In the Baroque period, D major was regarded as "the key of glory"; [1] hence many trumpet concertos were in D major, such as those by Johann Friedrich Fasch, Gross, Molter (No. 2), Leopold Mozart, Telemann (No. 2), and Giuseppe Torelli. Many trumpet sonatas were in D major, too, such as those by Corelli, Petronio Franceschini, Purcell, and
1950s; 1960s; 1970s; 1980s; 1990s; 2000s; Pages in category "1950s slang" The following 4 pages are in this category, out of 4 total. This list may not reflect recent ...
The following is a list of musical chords and simultaneities: Code Chord type Major: Major chord: Minor: ... Major Major sixth ninth chord ("6 add 9", [2] Nine six ...
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
For example, there are a number of songs in E major which use the ♭ III chord (e.g., a G major chord used in an E major song), the ♭ VII chord (e.g., a D major chord used in an E major song) and the ♭ VI chord (e.g., a C major chord used in an E major song). All of these chords are "borrowed" from the key of E minor.