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The triptych format has been used in non-Christian faiths, including, Judaism, Islam, and Buddhism. For example: the triptych Hilje-j-Sherif displayed at the National Museum of Oriental Art, Rome, Italy, and a page of the Qur'an at the Museum of Turkish and Islamic Arts in Istanbul, Turkey, exemplify Ottoman religious art adapting the motif. [7]
Trinity Triptych; Triptych; Triptych Bleu I, II, III; Triptych Inspired by the Oresteia of Aeschylus; Triptych of the Annunciation; Triptych of the Madonna of Humility with Saints; Triptych of the Sedano family; Triptych with Scenes from the Life of the Virgin; Triptych with the Virgin and Child, Saints and Donors; Triptych–August 1972 ...
Triptych, May–June 1973 was purchased at auction in 1989 by Swiss businesswoman Esther Grether for $6.3 million ($15.5 million as of 2023), then a record for a Bacon painting. [7] [8] [9] Grether is believed to own three other Bacon triptychs from the 1970s. Triptych March 1974 1974 Catalogue Raisonné Number 74-02 Oil on canvas 198 x 147.5cm ...
As well as being Bacon's first large format triptych, Three Studies for a Crucifixion introduced the later and often repeated visual motif a human body turned inside out. This idea was drawn from a long tradition in art history, and was influenced strongly by Rembrandt's Side of beef and Chaïm Soutine's Carcass of Beef. [5]
Twentieth-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of the paradise lost. He painted three large triptychs (the others are The Last Judgment of c. 1482 and The Haywain Triptych of c. 1516) that can be read from left to right and in which each panel was essential to the meaning ...
The triptych has three main panels, with a fourth as a supporting panel or predella below the main central panel. The large central panel is a 204 cm (80 in) square; the flanking panels to either side the same height but half the width, 102 cm (40 in) each; and the predella below the central panel has the same width but is only 60 cm (24 in) high.
The Last Judgment is a triptych of disputed authorship, either by the Early Netherlandish master Hieronymus Bosch, his workshop, or a collaboration between artist and workshop. It was created after 1486. It is one of eight surviving triptychs by Bosch. [1] The triptych currently resides at the Groeningemuseum in Bruges, Belgium.
Since much greater numbers of ivories survive than panel paintings from the period, they are very important for the history of Macedonian art. All sides of the triptych are fully carved, with more saints on the outsides of the side leaves, and an elaborate decorative scheme on the back of the central leaf. The ivory's early history is unrecorded.
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