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A seven-inch reel of 1 ⁄ 4 in (6.4 mm) tape. The tape decks of the 1950s were mainly designed to use tape 1 ⁄ 4 inch (0.64 cm) wide and to accept one of two reel formats: 10 + 1 ⁄ 2 inches (27 cm) reels, almost always with metal flanges, which fit
2-inch quadruplex videotape (also called 2″ quad video tape or quadraplex) was the first practical and commercially successful analog recording video tape format. [1] It was developed and released for the broadcast television industry in 1956 by Ampex, an American company based in Redwood City, California. [2]
1-inch Type C Helical Scan or SMPTE C is a professional reel-to-reel analog recording helical scan videotape format co-developed and introduced by Ampex and Sony in 1976. It became the replacement in the professional video and broadcast television industries for the then-incumbent 2-inch quadruplex videotape (2-inch Quad for short) open-reel format.
7-inch reel of 1 ⁄ 4-inch-wide (6.4 mm) recording tape, typical of non-professional use in the 1950s–70s. Studios generally used 10 1 ⁄ 2 inch reels on PET film backings. Inexpensive reel-to-reel tape recorders were widely used for voice recording in the home and in schools, along with dedicated models expressly made for business dictation.
In development by John T. Mullin and Wayne R. Johnson since 1950, the device gave what were described as "blurred and indistinct" images using a modified Ampex 200 tape recorder and standard quarter-inch (0.635 cm) audio tape moving at 360 inches (9.1 m) per second. [1] [2] A year later, an improved version using one-inch (2.54 cm) magnetic ...
When EIAJ-1 was standardized, no videocassette recorders had yet been introduced. One of the main drawbacks to the format was the need to carefully thread the end of the tape around the head drum, through a gap between the capstan and pinch roller, and around a variety of guides and tensioners.
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3579 S High St, Columbus, OH · Directions · (614) 409-0683