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The gayageum is employed in different types of music, leading to variations of the instrument, including the following: Pungryu gayageum is the original form, with more widely spaced strings for slower-tempo works. Sanjo gayageum is a smaller, modern version with more closely spaced strings to accommodate rapid playing.
A man playing the đàn tranh beside the singer. The đàn tranh (Vietnamese: [ɗâːn ʈajŋ̟], 彈 箏) or đàn thập lục [1] is a plucked zither of Vietnam, based on the Chinese guzheng, from which are also derived the Japanese koto, the Korean gayageum and ajaeng, the Mongolian yatga, the Sundanese kacapi and the Kazakh jetigen.
The zheng (pinyin: zhēng; Wade–Giles: cheng) or guzheng (Chinese: 古筝; pinyin: gǔzhēng; lit. 'ancient zheng'), is a Chinese plucked zither. The modern guzheng commonly has 21, 25, or 26 strings, is 64 inches (1.6 m; 5 ft 4 in) long, and is tuned in a major pentatonic scale. It has a large, resonant soundboard made from Paulownia wood ...
Geomungo Gayageum. Gayageum (가야금; 伽倻琴) – A long zither with 12 strings; modern versions may have 13, 15, 17, 18, 21, 22, or 25 strings; Geomungo (거문고) – A fretted bass zither with six to eleven silk strings that is plucked with a bamboo stick and played with a weight made out of cloth
The koto (箏 or 琴) is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. [1]
In the 13th year of Jinheung, Ureuk taught gayageum, songs, and dances to three disciples of Gyego, Beopji y Mandeok. [13] Later the famed scholar, Ch'oe Ch'i-wŏn who studied in Tang dynasty away from bone rank system of Silla chartered five poems of hyangak (The local music) which depict performing arts in Silla toward the end of its era.
The first evidence of Korean music appeared in the extant text of Samguk sagi (History of the three kingdoms) in 1145, which described two string-like instruments; Gayageum and Geomungo. [1] Traditional Korean music was brought to heights of excellence under the kings of the Joseon dynasty between 1392 and 1897.
Due to its characteristically percussive sound and vigorous playing technique it is thought of as a more "masculine" instrument than the 12-string or 24 string gayageum (another Korean zither); both instruments, however, are played by both male and female performers.
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