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The Thirty-Six Immortals of Poetry (三十六歌仙, Sanjūrokkasen) are a group of Japanese poets of the Asuka, Nara, and Heian periods selected by Fujiwara no Kintō as exemplars of Japanese poetic ability. The oldest surviving collection of the 36 poets' works is Nishi Honganji Sanju-rokunin Kashu ("Nishi Honganji 36 poets collection") of 1113.
Renga (連歌, linked poem) is a genre [1] of Japanese collaborative poetry in which alternating stanzas, or ku (句), of 5-7-5 and 7-7 mora (sound units, not to be confused with syllables) per line are linked in succession by multiple poets.
The rhetorical style started out as poetry. This later influenced pianwen and guwento and eventually created the baguwen aka the eight-legged essay. [1] In Korea, the form was called giseungjeongyeol (Hangul: 기승전결; Hanja: 起承轉結). In Japan, it was called kishōtengō (起承転合), from which the English word derives.
Edition of the Kokin Wakashū anthology of classic Japanese poetry with wood-carved cover, 18th century. Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa ...
Kaifūsō : the oldest collection of Chinese poetry written by Japanese poets; Imperial anthologies: advancing the Imperial waka anthologies, the earliest imperial anthologies gathered Kanshi, the Chinese poetry which Japanese learned from the Tang dynasty. Three anthologies were edited in the early Heian period: Ryōunshū
Ishizuka Tomoji 石塚友二 the kanji (Japanese writing) is a pen name of Ishizuka Tomoji, which is written with the different kanji 石塚友次, but in English there is no difference (1906–1984), Shōwa period haiku poet and novelist; Itō Sachio 伊藤佐千夫, pen name of Itō Kojirō (1864–1913), Meiji period tanka poet and novelist
The modern Japanese writing system uses a combination of logographic kanji, which are adopted Chinese characters, and syllabic kana.Kana itself consists of a pair of syllabaries: hiragana, used primarily for native or naturalized Japanese words and grammatical elements; and katakana, used primarily for foreign words and names, loanwords, onomatopoeia, scientific names, and sometimes for emphasis.
The Heian period ushered a revival of Japanese classical poetry, waka, and native vernacular writing, kana. Waka, traditional Japanese thirty-one syllable poetry, was used for purposes ranging from official proclamations and poetry contests to private matters of courtship, and became crucial to success in the life of the aristocracy. [ 3 ]