Search results
Results from the WOW.Com Content Network
Portions of Parker’s improvised solos continue to be quoted by other improvising jazz musicians today. The transcriptions are not intended to be studied by saxophonists new to the instrument but rather by advanced students with some prior jazz idiom knowledge and considerable instrumental skill. Very few articulation marks are notated. [3]
Solo de concert No. 4, Opus 84 for Tenor Saxophone and Piano (1862)—Jean-Baptiste Singelée; Solo de concert No. 6, Opus 92 for Tenor Saxophone and Piano (1863)—Jean-Baptiste Singelée; Premier Solo andante et bolero for tenor saxophone and piano (1866)—Jules Demersseman; Brasiliana No. 7 for Tenor Saxophone and Piano (1956)—Radamés ...
West Coast Jazz Saxophone Solos transcribed and edited by Robert A. Luckey, Ph.D. Features 15 recorded solos from 1952 to 1961, including five solos by Art Pepper. Olympia Music Publishing, 1996. ISBN 0-9667047-1-1. Transcriptions available on the Internet: "Anthropology" "Birk's Works" "Groovin' High" "Red Pepper Blues" "Star Eyes"
Rhapsodie for saxophone and orchestra, L.98, also known as Rhapsodie mauresque or Rhapsodie orientale, is a piece for alto saxophone and accompaniment by Claude Debussy. Completed in solo and piano form in 1911, the piece is most well known through its 1919 orchestration of the accompaniment by Jean Roger-Ducasse .
The saxophone break on "Baker Street" has been described as "the most famous saxophone solo of all time" [4] and "the most recognizable sax riff in pop music history". [5] The distinctive wailing, bluesy sound of the sax riff was a result of the alto saxophone Ravenscroft was using being tuned slightly flat, and in a radio interview in 2011, he ...
Patrick serves as instructor of saxophone at Transylvania University in Lexington, Kentucky. He served as instructor of saxophone at the University of Louisville, in Louisville, Kentucky, from the 1970s through 1992. He served as director of the Saxophone Institute, a study week for classical saxophonists, for more than 25 years.
The work has been described as "one of the greatest solo saxophone records ever made, and maybe one of the greatest recordings ever issued" [4] and "an album of solo free improvisation that still remains a paragon of technical, aesthetic and emotional excellence". [39]
Rousseau's book Marcel Mule: His Life and the Saxophone was also published in France as Marcel Mule: sa vie et le saxophone. He also published two method books: The E. Rousseau Beginning Saxophone Method (English, German, Japanese) and Saxophone High Tones (English, French, German). Many of his transcriptions for saxophone have been published ...