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Scottish jewellery is jewellery created in Scotland or in a style associated with Scotland, which today often takes the form of the Celtic style. It is often characterised by being inspired by nature, Scandinavian mythology, and Celtic knot patterns. [1] [self-published source?] Jewellery has a history in Scotland dating back to at least the ...
The sale of Mary's jewels in England by Moray in 1568 were halted for diplomatic reasons after she arrived in England. Mary instructed her ally Lord Fleming to request that Charles IX prevent sales of her jewels in France. [242] Most of the remaining pieces which Mary had left behind in Scotland were kept in a coffer in Edinburgh Castle.
The Luckenbooth brooch is a traditional Scottish love token: [1] often given as a betrothal or wedding brooch. It might be worn by a nursing mother as a charm to help her milk flow, [1] and/or be pinned to a baby's clothing to protect it from harm. It was known as a witch-brooch by people using it to save children from the evil eye. [4]
The Ritchies were active during the Arts and Crafts movement, which was present in Scotland as well as internationally. [3] They took inspiration from Celtic culture and produced jewelry with Celtic designs. [4] They also sold textiles, woodcarvings, and brassware. [3] Some of their designs were taken from carved stones found on Iona. [5]
The Crown of Scotland is present at each Opening Ceremony of the Scottish Parliament. The Honours of Scotland consist of the Crown of Scotland, the Sceptre, and the Sword of State. The gold crown was made in Scotland and, in its present form, dates from 1540. The sword and sceptre were made in Italy as gifts to James IV from the pope.
Anne of Denmark, depicted with a diamond aigrette and pearl hair attire, by John de Critz, 1605. The jewels of Anne of Denmark (1574–1619), wife of James VI and I and queen consort of Scotland and England, are known from accounts and inventories, and their depiction in portraits by artists including Paul van Somer. [1]
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Various forms of livery were used in the Middle Ages to denote attachment to a great person by friends, servants, and political supporters. The collar, usually of precious metal, was the grandest form of these, usually given by the person the livery denoted to his closest or most important associates, but should not, in the early period, be seen as separate from the wider phenomenon of livery ...
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