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Celtic knots (Irish: snaidhm Cheilteach, Welsh: cwlwm Celtaidd, Cornish: kolm Keltek, Scottish Gaelic: snaidhm Ceilteach) are a variety of knots and stylized graphical representations of knots used for decoration, used extensively in the Celtic style of Insular art.
A Claddagh ring (Irish: fáinne an Chladaigh) is a traditional Irish ring in which a heart represents love, the crown stands for loyalty, and two clasped hands symbolize friendship. [1] [2] The design and customs associated with it originated in Claddagh, County Galway. Its modern form was first produced in the 17th century. [3]
Symbols of the Occult. WW Norton. ISBN 978-0-500-02403-4. Koch, Rudolf (1955). The Book of Signs: which contains all manner of symbols used from the earliest times to the Middle Ages by primitive peoples and early Christians. New York. ISBN 0-486-20162-7. {}: CS1 maint: location missing publisher
The island of Ireland, with border between Republic of Ireland and Northern Ireland indicated.. Symbols of Ireland are marks, images, or objects that represent Ireland. Because Ireland was not partitioned until 1922, many of the symbols of Ireland predate the division into Southern Ireland (later Irish Free State and then Ireland) and Northern Ireland.
The Jewels of the Order of St Patrick, commonly called the Irish Crown Jewels, were the heavily jewelled badge and star created in 1831 for the Grand Master of the Order of St Patrick, an order of knighthood established in 1783 by George III to be an Irish equivalent of the English Order of the Garter and the Scottish Order of the Thistle.
Irish heraldry is the forms of heraldry, such as coats of arms, in Ireland. Since 1 April 1943 it is regulated in the Republic of Ireland by the Office of the Chief Herald of Ireland and in Northern Ireland by Norroy and Ulster King of Arms .
A distinctly Irish type of brooch found at the end of the Viking period is the kite brooch, whose name derives from the almond shape called a "kite" in heraldry, though the shapes of the heads are actually highly variable. They were apparently worn, like the larger brooches, singly with the pin pointing upwards.
The extant Irish examples have silver rather than bronze bases, as well as more decorated pinheads, a wider variety of inlay material such as red gold, amber, enamel, millefiori and glass, and larger terminals which had become the focal point for decoration. [2] Goldsmithing was a prominent craft in prehistoric Irish society.
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