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Francesco Queirolo (Italian pronunciation: [franˈtʃesko kweiˈrɔːlo]; 1704–1762) was an Italian Genoese-born sculptor, active in Rome and Naples during the Rococo period. Biography [ edit ]
The Release from Deception (Disinganno) completed in 1753–54 by Francesco Queirolo of Genoa serves as a monument to Raimondo's father. [ 1 ] Antonio Corradini ,
Francesco Queirolo executed several sculptures for the Cappella Sansevero in Naples including the technically demanding ‘Deception unmasked’ (after 1750). Giacomo Serpotta was the outstanding Sicilian Baroque sculptor and known particularly for his stucco figures and decorations in several oratories in Palermo.
Image credits: JamesLucasIT Sculpture as an art form dates back to 32,000 years B.C. Back then, of course, small animal and human figures carved in bone, ivory, or stone counted as sculptures.
Francesco Queirolo (1704–1762), 1 sculpture : Release from Deception, Santa Maria della Pietà dei Sangro, Naples ; Artus Quellinus the Elder (1609–1668), 6 sculptures : Luis de Benavides, Koninklijk Museum voor Schone Kunsten, Antwerp
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Sculptors of the Rococo style, an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe-l'œil frescoes to create surprise and the illusion of motion and drama.
The last years of his life were dedicated to decorating the Sansevero Chapel with marble works from the greatest artists of the time, including Antonio Corradini, Francesco Queirolo, and Giuseppe Sanmartino (whose Veiled Christ's detailed marble veil was thought by many to be created by di Sangro's alchemy) and preparing anatomical models.