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Sherry Rubin was born in New York City to Bernard Rubin (born Russia) and Lucille Goldstein (born France). At a young age, her family moved to California. She studied physical education at the University of California, Los Angeles (UCLA), and after graduation worked as a caseworker in Alameda County Juvenile Court.
to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
Participatory art is an approach to making art which engages public participation in the creative process, letting them become co-authors, editors, and observers of the work. This type of art is incomplete without viewers' physical interaction.
Shelly Arnstein's Ladder of Citizen Participation. Responding to the persistent gap between the desires of local communities, and traditional rationalistic approaches to planning, Sherry Arnstein wrote her essay A Ladder of Citizen Participation in 1969 to "encourage a more enlightened dialogue". [42]
Robert Silverman expanded on Arnstein's ladder of citizen participation with the introduction of his "citizen participation continuum." In this extension to Arstein's work he takes the groups that drive participation into consideration and the forms of participation they pursue.
Urban planners work with the cognate fields of civil engineering, landscape architecture, architecture, and public administration to achieve strategic, policy and sustainability goals. Early urban planners were often members of these cognate fields though today, urban planning is a separate, independent professional discipline.
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Ehrenreich began working as a journalist in the alternative press in the late 1990s, publishing extensively in LA Weekly and The Village Voice.His journalism, essays and criticism have since appeared in Harper's, The New York Times Magazine, The Nation, the Los Angeles Times, The Believer, and the London Review of Books.
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