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19th; 20th; 21st; 22nd; 23rd; 24th; Subcategories. This category has only the following subcategory. 0–9. 19th-century hymns in German (26 P)
19th; 20th; 21st; 22nd; 23rd; 24th; Pages in category "19th-century hymns in German" The following 26 pages are in this category, out of 26 total.
Particularly noteworthy is the first printed in 1564 Anabaptist hymn book Ausbund, which was used until the 19th century in southern German Mennonites and even today in the Amish in North America. The core of the hymn book was 51 songs whose authorship is unknown save that they were all written between 1535 and 1540 by Baptists in the dungeon ...
19th-century hymns in German ... (85 P) 21st-century hymns in German (11 P) C. Catholic hymns in German (62 P) Christmas carols in German (32 P) H. Hymns by Martin ...
"Jerusalem, du hochgebaute Stadt" is a German Christian hymn with lyrics written by the Lutheran Johann Matthäus Meyfart in 1626, and a melody possibly by Melchior Franck. Its theme is the New Jerusalem as the ultimate destination of the Soul, as the subtitle says "Ein Lied vom Himmlischen Jerusalem" (A song of the Heavenly Jerusalem).
Jane Laurie Borthwick (9 April 1813, Edinburgh, Scotland; 7 September 1897, Edinburgh, Scotland) was hymn writer, translator of German hymns and a noble supporter of home and foreign missions. [1] [2] [3] She worked closely with her sister, Sarah Laurie Findlater. [4] She published under the pseudonym: H. L. L. (Hymns from the Land of Luther).
This line originally meant that the most important aim of 19th-century German liberal revolutionaries should be a unified Germany which would overcome loyalties to the local kingdoms, principalities, duchies and palatines (Kleinstaaterei) of then-fragmented Germany, essentially that the idea of a unified Germany should be above all else. [2]
"Praise to the Lord, the Almighty" is a Christian hymn based on Joachim Neander's German-language hymn "Lobe den Herren, den mächtigen König der Ehren", published in 1680. [2] John Julian in his A Dictionary of Hymnology calls the German original "a magnificent hymn of praise to God, perhaps the finest creation of its author, and of the first ...