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"Mona Lisa Overdrive" is a composition in B-flat minor, featured in the movie The Matrix Reloaded, during the highway chase scene.It is written by Don Davis in collaboration with the electronica act Juno Reactor, representing a blend of film score music and trance.
The Matrix: Music from the Motion Picture is one of the two 1999 soundtrack albums from the blockbuster film, The Matrix (the other being The Matrix: Original Motion Picture Score). The soundtrack included most of the tracks the film popularized such as Rob D 's " Clubbed to Death ", Rob Zombie 's " Dragula (Hot Rod Herman Remix) " and ...
"Sleeping Awake" (also known as "Sleeping Away") is the lead single by P.O.D. from The Matrix Reloaded: The Album. The film soundtrack was released on May 6, 2003 by Warner Bros. Records/Maverick Records with the single itself available May 26.
The Matrix is a 1999 science fiction action film [5] [6] written and directed by the Wachowskis. [a] It is the first installment in the Matrix film series, starring Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, and Joe Pantoliano, and depicts a dystopian future in which humanity is unknowingly trapped inside the Matrix, a simulated reality that intelligent machines have ...
"Rock Is Dead" is a song by American rock band Marilyn Manson. It was released as the third single from their third studio album, Mechanical Animals (1998). It was written by the band's eponymous frontman, along with bassist Twiggy Ramirez and keyboardist Madonna Wayne Gacy, and was produced by Manson, Michael Beinhorn and Sean Beavan.
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The Matrix Reloaded: The Album is a 2003 soundtrack album from the 2003 film The Matrix Reloaded.The two-disc album is unusual among soundtrack releases in that it includes separate discs for the film's songs and the score, whereas most films release the songs and the score as separate single-disc albums.
"Wake Up" is a song by American rock band Rage Against the Machine. It is the seventh track from their self-titled debut album.While never released as a single, it remains a staple of their live shows and is usually played as the last song before the encore; the spoken word portion of the song, using a real memo from J. Edgar Hoover, is often replaced with a speech addressing contemporary ...