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The lives of the characters in J. R. R. Tolkien's world of Middle-earth appear variously to be driven by luck or by fate.This is arranged in such a way that the characters' free will is never compromised; they must rely on their own courage, just like Old English heroes like Beowulf and figures from Norse mythology.
This list is for characters in fictional works who exemplify the qualities of an antihero—a protagonist or supporting character whose characteristics include the following: imperfections that separate them from typically heroic characters (such as selfishness, cynicism, ignorance, and bigotry); [1]
The protagonist is the character whose fate is most closely followed by the reader or audience, and who is opposed by the antagonist. The antagonist provides obstacles and complications and creates conflicts that test the protagonist, revealing the strengths and weaknesses of the protagonist's character, and having the protagonist develop as a ...
Don Quixote and his sidekick Sancho Panza, as illustrated by Gustave Doré: the characters' contrasting qualities [1] are reflected here even in their physical appearances. In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist.
Conflict may be internal or external—that is, it may occur within a character's mind or between a character and exterior forces, (or point(s) of view). Conflict is most visible between two or more characters, usually a protagonist and an antagonist/enemy/villain, but can occur in many different forms. A character may as easily find themselves ...
A false protagonist is presented at the start of the fictional work as the main character, but then is eradicated, often by killing them (usually for shock value or as a plot twist) or changed in terms of their role in the story (i.e. making them a lesser character, a character who leaves the story, or revealing them to actually be the antagonist).
Katniss orders them set free and healed. Venia is said to have always been the strongest: for example, in Catching Fire, Venia is the only one to contain her emotions while working on Katniss' appearance, while Octavia and Flavius both need to leave the room to control their emotions. Katniss' prep team only appears in the first two films ...
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]