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These album covers tend to display inauthentic versions of their considerations of style and sexuality and do not accurately display "Uptown" Jamaica. [10] Album cover art was the subject of a 2013 documentary film, The Cover Story: Album Art, by Eric Christensen, a San Francisco Bay Area record collector. [11]
The term is also used to denominate the outermost cardboard covering of a record, i.e. the record jacket or album jacket. The record jacket is extensively used to design and market a recording, as well as to additionally display general information on the record as artist name, titles list, title length etc. if no opening presents a readable label.
The album art of other musicians has been influenced by Blue Note's covers, including Elvis Costello's Almost Blue (1981), whose cover is an homage to Burrell's Midnight Blue (1963), Van Morrison's The Skiffle Sessions – Live in Belfast (1998), which has a cover inspired by Blakey's Free for All (1965), and Aesop Rock's Float (2000), whose ...
There have been numerous books documenting album cover art, particularly rock and jazz album covers. [8] [9] [10] Steinweiss was an art director and graphic designer who brought custom artwork to record album covers and invented the first packaging for long-playing records. [7]
The album cover shows a group of middle-aged nudists posing in the middle of a forest. The group consists of five women and three men. The album cover was completely pixelated for its iTunes release, [21] and many online news outlets overlaid a black box over the explicit areas. [22] The replacement cover for Ritual de lo Habitual.
Covers is a compilation album by American alternative metal band Deftones. The album was released by Warner Bros. Records as a limited edition release for Record Store Day on April 16, 2011. It was distributed exclusively in a vinyl record format, limited to 5,000 copies.
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