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Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. [1] Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning. [1]
It was founded in 2005 by Hugh McGuire to provide "Acoustical liberation of books in the public domain" [2] and the LibriVox objective is "To make all books in the public domain available, for free, in audio format on the internet". [3] [independent source needed]
Reader-response criticism argues that literature should be viewed as a performing art in which each reader creates their own, possibly unique, text-related performance. The approach avoids subjectivity or essentialism in descriptions produced through its recognition that reading is determined by textual and also cultural constraints. [3]
Today, approaches based in literary theory and continental philosophy largely coexist in university literature departments, while conventional methods, some informed by the New Critics, also remain active. Disagreements over the goals and methods of literary criticism, which characterized both sides taken by critics during the "rise" of theory ...
In literary theory, formalism refers to critical approaches that analyze, interpret, or evaluate the inherent features of a text. These features include not only grammar and syntax but also literary devices such as meter and tropes. The formalistic approach reduces the importance of a text's historical, biographical, and cultural context.
Nation (2005) suggests that learning from extensive reading should meet the following conditions: focusing on the meaning of the English text, understanding the type of learning that can occur through such reading, having interesting and engaging books, getting learners to do large quantities of reading at an appropriate level, and making sure ...
In 1901, French poet and essayist Sully Prudhomme (1839–1907) was the first person to be awarded the Nobel Prize in Literature, "in special recognition of his poetic composition, which gives evidence of lofty idealism, artistic perfection, and a rare combination of the qualities of both heart and intellect."
Waugh writes, 'The development of psychoanalytic approaches to literature proceeds from the shift of emphasis from "content" to the fabric of artistic and literary works'. [9] Thus for example Hayden White has explored how 'Freud's descriptions tally with nineteenth-century theories of tropes , which his work somehow reinvents'.