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William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. [2] His use of impressionist harmony, block chords, innovative chord voicings, and trademark rhythmically independent "singing" melodic lines continue to influence jazz pianists today.
At Shelly's Manne-Hole (or more completely, Bill Evans Trio at Shelly's Manne-Hole, Hollywood, California) is a live album by American jazz pianist Bill Evans, released in 1963 as his last recording for the Riverside label.
The Bill Evans Trio chronology; Moon Beams (1962) How My Heart Sings! (1964) Interplay (1962)
Explorations is an album by jazz pianist Bill Evans that was originally released by Riverside Records in 1961. It was the second and final studio album Evans recorded with his classic trio featuring Scott LaFaro on bass and Paul Motian on drums.
The trio played five sets—two in the afternoon and three in the evening—each one comprising four or five numbers and lasting about half an hour. [4] This was the last performance by the Bill Evans Trio with bassist Scott LaFaro, who was killed in a car accident eleven days after the recording. [5]
Nirvana is an album by jazz flautist Herbie Mann with Bill Evans's Trio featuring Chuck Israels and Paul Motian, released in 1964 on the Atlantic label and featuring performances recorded in 1961 and 1962. [2]
Evans doesn't play on "Stan's Blues" since the piece was played off the cuff, on Getz's initiative; clearly peeved, the pianist took his hands off the keyboard after a few chords. On the other hand, during the concert held on August 16, after performing "The Peacocks", Getz wished happy birthday to Evans and played an impromptu "Happy Birthday ...
Gómez had "brought the tune to Bill's attention just before the trio left for Japan." After the trio played it during a public performance, "Morell expressed the opinion that the number would have greater impact without bass and drums." Evans was convinced and played it alone. This piece was his only piano solo of the whole Japanese tour. [5]
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