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The following is a listing of the jazz pianist Bill Evans's original albums. He recorded over 50 albums as a leader between 1956 and 1980 and also played as a sideman on nearly as many more.
The Bill Evans Album is a recording by the jazz pianist Bill Evans, released in 1971 on the Columbia label. It was his first album to feature all compositions written (or co-written), arranged, and performed by him. On the record, Evans plays both an acoustic and a Fender Rhodes electric piano.
You Must Believe in Spring is an album by American jazz pianist Bill Evans, recorded by him with bassist Eddie Gómez and drummer Eliot Zigmund in August 1977 and released in February 1981, shortly after Evans's death in September 1980. Unlike most posthumous releases of the pianist's recordings, this material had been authorized by Evans for ...
The album began Evans's relationship with Riverside Records, and also marked the formation of the first Bill Evans trio with Teddy Kotick (bass) and Paul Motian (drums). Allmusic critic Scott Yanow said about the album: "Bill Evans' debut as a leader found the 27-year-old pianist already sounding much different than the usual Bud Powell ...
The Tony Bennett Bill Evans Album is a 1975 studio album by singer Tony Bennett and pianist Bill Evans. Their second album together, Together Again, was released in 1977. Both albums plus alternate takes and additional tracks were released on The Complete Tony Bennett/Bill Evans Recordings by Fantasy Records in 2009.
The Bill Evans Album: Based on a tone row: T.T.T.T. (Twelve Tone Tune Two) 1973: The Tokyo Concert: Based on a tone row: The Two Lonely People: 1971: The Bill Evans Album: Lyrics by Carol Hall for the performance of the song by Tony Bennett: Very Early: 1949 (appr.) 1962: Moon Beams: Evans's first-known tune composed when he was an ...
From Left to Right is an album by American jazz pianist Bill Evans, released in 1971. It was recorded with his regular bassist Eddie Gómez and drummer Marty Morell and with an orchestra arranged and conducted by Michael Leonard. This was the first album on which Evans played a Fender Rhodes electric piano. [4]
Writing for AllMusic, music critic Michael G. Nastos notes of the album: "A duet recording between pianist Bill Evans and guitarist Jim Hall is one that should retain high expectations to match melodic and harmonic intimacies with brilliant spontaneous musicianship. Where this recording delivers that supposition is in the details and intricacy ...
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