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The Complete Village Vanguard Recordings, 1961, a three-CD box set released in 2005, marks the first time the entire Bill Evans Trio's complete sets at the Village Vanguard on June 25, 1961, have been released in their entirety (outside of the 12-disc set containing Evans' complete Riverside recordings). It also marks the first U.S. release of ...
Sunday at the Village Vanguard is a live album by jazz pianist and composer Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. Released in 1961, the album is routinely ranked as one of the best live jazz recordings of all time. [2] [3]
The Complete 1961 Village Vanguard Recordings is a box set of recordings by jazz musician John Coltrane, issued posthumously in 1997 by Impulse! Records , catalogue IMPD4-232. It collects all existing recordings from performances by the John Coltrane Quintet at the Village Vanguard in early November, 1961.
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. [2] His use of impressionist harmony, block chords, innovative chord voicings, and trademark rhythmically independent "singing" melodic lines continue to influence jazz pianists today.
The "definitive performance" of the piece is usually considered to be the live recording from the third set on 25 June 1961 at the Village Vanguard by the classic Bill Evans Trio featuring bassist Scott LaFaro and drummer Paul Motian. [4] (It was also recorded as part of the second set, and that less famous version, take 1, has been made ...
The Bill Evans Trio "Live" Blue in Green: The Concert in Canada; But Beautiful (Stan Getz & Bill Evans album) C. The Complete Village Vanguard Recordings, 1961;
The Complete Bill Evans on Verve: 18-CD set Verve: 1998 Ultimate Bill Evans: Selected by Herbie Hancock, recorded 1956–71 Verve: 1998 Piano Player: From various sessions with various musicians, recorded 1957–71 Includes 6 duos with Eddie Gomez (b) Columbia: 2001 Bill Evans' Finest Hour: Verve: 2004 Bill Evans for Lovers: Various sessions ...
When Evans returned to the trio format later in 1962, it was with Motian and bassist Chuck Israels. [2] The title track, a musical portrait of Evans' niece, became a staple of his live repertoire in later years. It originally appeared as a solo piano piece on Evans' debut album, New Jazz Conceptions.
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