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The film was released in 2019 on Netflix, Amazon, Vimeo, iTunes, Google Play and YouTube. The American Dental Association, American Association of Endodontists and the American Association of Dental Research sent a private letter to media companies hosting the film and warned them that "continuing to host the film could harm the viewing public by spreading long-disproven claims."
In April 2021, it was announced that Archewell Productions' first project with Netflix would be Heart of Invictus, a documentary series in partnership with The Invictus Games Foundation. [2] [3] The project will surround the six competitors from the 2020 Invictus Games, directed by Orlando von Einsiedel and produced by Joanna Natasegara. [4]
The disaster that was the Fyre Festival inspired not one but two documentaries in 2019. The Netflix version looks at the fallout for mastermind Billy McFarland and the people in the Bahamas who ...
She developed a pitch for Netflix, getting help from her colleagues from the show Dark Net and Melissa Wood. [6] Costrel had wanted to shift focus away from the games themselves as most video game documentaries, and instead to the developers behind the games and players to give insights into the creativity on video game development. [6]
These 10 games will be available at no extra cost for Netflix subscribers.
Netflix is going against its tradition of paywalling its steadily growing offering of mobile games by making its upcoming “Squid Game” battle royale title available for free to non-members for ...
Lenox Hill is a documentary television series that was developed by Ruthie Shatz and Adi Barash which premiered on Netflix on June 10, 2020. The premise mainly revolves around the lives of four medical professionals in the areas of neurosurgery, emergency medicine, and obstetrics and gynecology at the Lenox Hill Hospital.
The Bleeding Edge is a 2018 Netflix original documentary film that investigates the $400 billion medical device industry. [1] Written and directed by Kirby Dick and produced by Amy Ziering and Amy Herdy, it premiered at the 2018 Tribeca Film Festival, where it was billed as "the stuff of dystopian nightmares". [2]