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"Sally" is a popular song written by Leo Towers, Harry Leon and Will E. Haines. It was first sung by Gracie Fields in the 1931 film Sally in Our Alley. [1] [2] [3] "Sally" was released on His Master's Voice as the B-side of the record "Fall In and Follow the Band". [4] Merseybeat group The Koobas covered the song in 1967 and released it as a ...
Sally Face is an indie adventure game with psychological horror and mystery fiction elements created by Steve Gabry a.k.a. Portable Moose. The game follows the titular main character Sal Fisher (otherwise known as Sally Face), a boy with a prosthetic face , who investigates local murders with his friends.
"Lay Down Sally" is a country blues song performed in the style of J. J. Cale. Clapton also attributed other members of his band – Carl Radle of Oklahoma, George Terry, Jamie Oldaker and others – as influencing the song. [4] Clapton explained, "It's as close as I can get, being English, but the band being a Tulsa band, they play like that ...
"Sally Go 'Round the Roses" had its first major market breakout in San Francisco, its ringing arrangement being a precursor of the San Francisco Sound.The song was a favorite number of Grace Slick when she fronted the Great Society, her pre-Jefferson Airplane outfit, and it was a formative influence on Laura Nyro.
The song "Flower" was featured on the soundtrack for the 2000 film Gone in 60 Seconds [3] and is also used for the Bring Sally Up exercise challenge, with participants doing squats, push-ups or burpees up or down along with the lyrics of the song. [4] “Flower” is also a walk-up song used by Major League Baseball player Bryce Harper.
Sneakin' Sally Through the Alley is based in rhythm. [10] Steve Sutherland called it "a polished and energetic primer in sophisticated body rhythms." [11] As with Palmer's other early albums, it is a synthesis of "improvised funk grooves, New Orleans R&B and tasty original". [12]
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Sally Can't Dance is the fourth solo studio album by American rock musician Lou Reed, released in September 1974 by RCA Records. [5] Steve Katz and Reed produced the album. It remains Reed's highest-charting album in the United States, having peaked at #10 during a 14-week stay on the Billboard 200 album chart in October 1974. [ 6 ]