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The Western Canon: The Books and School of the Ages is a 1994 book about Western literature by the American literary critic Harold Bloom, in which the author defends the concept of the Western canon by discussing 26 writers whom he sees as central to the canon.
Harold Bloom (July 11, 1930 – October 14, 2019) was an American literary critic and the Sterling Professor of humanities at Yale University. [1] In 2017, Bloom was called "probably the most famous literary critic in the English-speaking world". [ 2 ]
A "canon" is a list of books considered to be "essential", and it can be published as a collection (such as Great Books of the Western World, Modern Library, Everyman's Library or Penguin Classics), presented as a list with an academic's imprimatur (such as Harold Bloom's [6]), or be the official reading list of a university.
A classic is a book accepted as being exemplary or ... or Penguin Classics or presented as a list, such as Harold Bloom's list of books that constitute the ...
Pages in category "Books by Harold Bloom" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. A. The American Religion;
The group included high-profile literary scholars such as Shoshana Felman, Paul de Man, Geoffrey Hartman, J. Hillis Miller, and Harold Bloom. This group came to be known as the Yale School and was especially influential in literary criticism because de Man, Miller, Hartman and Bloom are all considered to be prominent literary critics.
Bloom introduces his six revisionary ratios in the following manner, which he consistently applies in this book as well as his successor volume titled A Map of Misreading. Clinamen – Bloom defines this as "poetic misreading or misprision proper". The poet makes a swerve away from the precursor in the form of a "corrective movement".
Geoffrey O'Brien does not find Bloom's criticisms of the "school of resentment" to be overdone, for the most part, and points to a long scholarly tradition supporting Bloom's emphasis on the primary importance of Shakespeare's characters, though he does criticize Bloom's "obsession" with Falstaff and lack of focus on aspects of Shakespeare ...
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